Die Ölgemälde alles Francesco Hayez

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Painting (From A to Z)

Details

59283

Ruth

Ruth (1835) Collezioni Comunali d'Arte, Bologna

59296

Samson and the Lion

Samson and the Lion (1842) Galleria d'Arte Moderna, Florence

98158

Samson und der Lowe

1842(1842) Medium oil on canvas Dimensions Deutsch: 210 x 162 cyf

59317

Self portrait at age 69

Self-portrait at age 69 (1860) Galleria degli Uffizi, Florence

59334

Self portrait at age 88

Self-portrait at age 88 (1879) Galleria d'Arte Moderna, Venice

98341

Self-portrait at the age of 69.

1860 Medium oil on canvas Dimensions 124 x 97 cm (48.8 x 38.2 in)

59264

Sicilian Vespers, Scene 1

Sicilian Vespers, Scene 1 (1821-1822) Private collection, Milan

59300

Sicilian Vespers, Scene 3

Sicilian Vespers, Scene 3 (1846) Galleria Nazionale d'Arte Moderna, Rome

93619

Sizilianische Abende

1846(1846) Medium oil on canvas Dimensions Deutsch: 225 x 300 cm cjr

93690

Sizilianische Abende

1821-1822 Medium oil on canvas Dimensions Deutsch: 150 x 200 cm cjr

92172

Sizilianische Vesper

1846(1846) Medium oil on canvas Dimensions Deutsch: 225 X 300 cm cyf

98322

Sizilianische Vesper

1821-1822 Medium oil on canvas Dimensions Deutsch: 150 x 200 cm

59272

The Ballerina Carlotta Chabert as Venus

The Ballerina Carlotta Chabert as Venus (1830) Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Trento

59327

The Death of the Doge Marin Faliero

The Death of the Doge Marin Faliero (1867) Pinacoteca di Brera, Milan

98320

The destruction of the Temple of Jerusalem.

1867(1867) Medium oil on canvas Dimensions Deutsch: 183 x 252 cm

1565

The Kiss

1859 Brera, Milan

40718

The Kiss

mk156 1859 Oil on canvas 112x88cm

56249

the kiss

mk247 1859 ,oil on canvas,44x34.5 in,112x88 cm,pinacoteca di brera,milan,ltaly

59258

The Kiss

The Kiss (1859) Pinacoteca di Brera, Milan.

59324

The New Favorite

The New Favorite (Harem Scene) (1866) Private collection, Milan

59292

The Parting of the Two Foscari

The Parting of the Two Foscari (1842) Galleria d'Arte Moderna, Florence

59270

The Patient

The Patient (portrait of Carolina Zucchi) (1825) Museo Civico, Turin

59269

The Penitent Mary Magdalene

The Penitent Mary Magdalene (1825) Civica Galleria d'Arte Moderna, Milan

59278

The Refugees from Parga

The Refugees from Parga (1831) Pinacoteca Tosio Martinengo, Brescia

22838

The Refugees of Parga (mk22)

1828-1831 Oil on canvas,approx 200 x 290 cm Brescia,Pinacoteca Tosio Martinengo

59284

The Seventh Crusade against Jerusalem

The Seventh Crusade against Jerusalem (1838-1850) Palazzo Reale, Turin

87357

The Sicilian Vespers

Date 1846(1846) Medium Oil on canvas Dimensions Deutsch: 225 x 300 cm cjr

80812

The Two Foscari

ca. 1852(1852) Medium Oil on canvas cyf

77505

Francesco Hayez, The Two Foscari: Francesco Foscari, Doge of Venice banishing his son Jacopo on the charge of treasonable correspondence while in exile

The Two Foscari: Francesco Foscari, Doge of Venice banishing his son Jacopo on the charge of treasonable correspondence while in exile

The Two Foscari: Francesco Foscari, Doge of Venice (c. 1372-1457) banishing his son Jacopo on the charge of treasonable correspondence while in exile; subject of Bryon's poetic drama 'The Two Foscari'" The Two Foscari (Title by WGA) ca. 1852(1852) Oil on canvas 168 cm (66.1 in). Height: 121 cm (47.6 in). cjr

84364

Trivulzio

1832(1832) Medium Oil on canvas Dimensions Deutsch: 136 x 101 cm cyf

59261

Ulysses at the court of Alcinous

Ulysses at the court of Alcinous (1813-1815) Galleria Nazionale di Capodimonte, Naples

70948

Ulysses at the court of Alcinous

Medium Oil on canvas Dimensions 381 x 535 cm

92422

Valenza Gradenigo before the Inquisition

1835(1835) Medium oil on canvas Dimensions Height: 96 cm (37.8 in). Width: 115.5 cm (45.5 in). cjr

59335

Vase of Flowers on the Window of a Harem

Vase of Flowers on the Window of a Harem (1881) Pinacoteca di Brera, Milan

59309

Venetian Women

Venetian Women (1853) Villa Carlotta, Tremezzo

91543

Venezianerinnen

1853(1853) Medium oil on canvas Dimensions Deutsch: 55 x 40 cm cyf

98325

Weiblicher Akt

oil on canvas Dimensions 105 x 70 cm (41.3 x 27.6 in)

87158

Zusammentreffen von Jakob und Esau

Date 1844(1844) Medium Oil on canvas Dimensions Deutsch: 208 x 300 cm cjr

89998

Zusammentreffen von Jakob und Esau

1844(1844) Medium oil on canvas cyf

91114

Zusammentreffen von Jakob und Esau

1844(1844) Medium oil on canvas cyf

91936

Zusammentreffen von Jakob und Esau

1844(1844) Medium oil on canvas Dimensions Deutsch: 208 X 300 cm cyf

85814

Zusammentreffen von Jakob und Esau, Detail

Date 1844(1844) Medium Oil on canvas cjr

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Francesco Hayez

1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

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